- Colin Campbell: The Story of Art Star by Eric Cameron (1975)
- Truth and Beauty by A.A. Bronson (1975)
- Colin Campbell, Windows and Mirrors by Peggy Gale (1976)
- Structural Videotape in Canada by Eric Cameron (1976)
- Automatons/Automorons by A.A. Bronson (1979)
- Modern Love: The Recent Videotapes of Colin Campbell by Tim Guest (1979)
- Modern Love by Kerri Kwinter (Fuse January 1980)
- Colin Campbell: Roles in Isolation by Douglas Durand (1980)
- Hetero-geneous by Lutgart Reynen translation by Leen Van Dijck (1981)
- Persona (1981)
- Colour Video/Vulgar Potential by Peggy Gale (1982)
- Excerpt from Invitation to a Screening by Phil van Steenburgh (1986)
- Videoseries (1986)
- Feminist Foibles Target of Campbell's Satiric Video by John Bentley Mays (1989)
- Interrogative Video Work from Colin Campbell by Bruce Ferguson (1990)
- AIDS Video Highlights Survey Of Artist's Work by Randal McIlroy (1990)
- Retrospective Tracks Career of Video Visionary Campbell by Deirdre Hanna (1991)
- Video Retrospective Dallies With Sexuality by John Bentley Mays (1991)
- Strategies of Dissemblance by Stuart Marshall (1991)
- Colin Campbell: Otherwise Worldly by Bruce W. Ferguson (1991)
- Requiem for a Modern Love by Dot Tuer (1991)
- Colin Campbell: Invention by Peggy Gale (1993)
- Video sampling just a taste of artist‚'s homespun talent by John Bentley Mays (1995)
- Colin Campbell Wins Bell Award (1996)
- The Grace of Aging by Andrew Griffin (2001)
- Colin Campbell: Video Fictions - Carol Breton (2001)
- True Lies or The Importance of Being Colin by Nelson Henricks (2002)
- Cheezie Vogue by Randy Gledhill (2002)
- Lee Rodney (2005)
- The (Fetishistic) Cut by Jean-Paul Kelly (2006)
MEMORIALS
- COLIN CAMPBELL 1942-2001 by Lori Spring and Lisa Steele (2001)
- Colin Campbell 1942-2001: An appreciation by Andy Paterson (2001)
- Passionate Pioneer of Video Art by Sarah Milroy (2001)
- The Singing Dunes: Colin Campbell 1943-2001 by John Greyson (2002)
- The Great Pretender by Bambi Acconci and DU Blazay (2002)
- Toot toot ... beep beep: Colin Campbell's Bad Girls'? An Allegory of Art Community by Philip Monk (2002)
VIDEO ART ESSAYS
Videoseries 86/87
Videotape by Colin Campbell
Curated by Kerri Kwinter
49th Parallel Centre for Contemporary Art, New York, 1986
No Voice Over, 1985, 25 minutes, colour
No Voice Over is a story of movement, communication and chance; of motion and travel through a modern world haunted by its history and its future. Five primary characters whose lives are entwined – or implicated – maintain intense and dramatic relations without ever being all in the same place at the same time. As friends and colleagues they devise a system of audio-tape communication to stay in touch with each other while dispersed and moving throughout the world: Canada, Italy, Brazil, Alaska and Japan. From a distance they take turns narrating, directing, influencing and guessing at each other’s lives.
Having abandoned the immediacy and reciprocity of the telephone, their lives, voices, conversations and the determinant moments of their friendship are always mediated by an electronic technology which seems to acquire a life of its own. Monologues are delivered as voice-overs to corresponding images; as the voice speaks, the visuals switch between the moment of the tape’s recording, its playback, portions of the event being recounted or impressions of an event pre-seen. As a result, the technological plane on which the narrative unfolds collapses progressive time and replaces it with a series of significant placeless moments. In the space that is created where past, present and premonition are all of equal import, the underlying question becomes one of cause. On the one hand, Campbell questions and complicates our customary reading of the cause of a real or fictional event, and on the other, he exposes that narrative’s tentative control over and dependence on, the cause-effect relation. Can a story adequately construct the web of intersecting influences which may or may not contribute to an event’s occurrence – in this case to a possibly pre-seen, possibly prevented death?
Colin Campbell has been working in video since 1972. He has produced fourty-four tapes over the past fourteen years and has exhibited his work in Canada, the United States, Europe and South America. Mr. Campbell currently lives in Toronto where he teaches at the University of Toronto and the Ontario College of Art.
Kerri Kwinter is an independent writer who divides her time between Toronto and New York.







